It was not a Storyteller’s moon. It was not the rotund moon
that presaged the old man’s previous visits to Ifeloju. Horned,
it only lightly kissed the leaves farthest from the dusty ground
upon which Itanpadeola’s sandaled feet trod, and it did not
wash the now-you-see-it-now-you’re-not-so-sure track to Ifeloju in an endless
glow that promised laughter and songs and sweet wine and dance.
No, it did not speak breezily of life and love and fertility and
rebirth and all other things with which the full moon was associated.
It clung desperately to the coming night; seemingly fearful it would
lose its grip and plummet like a fallen god…
That was the early moon hugging the
sky the night the Storyteller appeared. A tall weathered man with
a long face, he was thin like the staff in his right hand and feeble
like the flame of the wick lamp in his left. His arms had a multitude
of minute cuts clustered on them as if a swarm of flies wielding
miniature knives had tried to hack their way into his bloodstream.
The leather bag around his neck swung loosely as he walked. It was
the first time in his more than forty years of walking this path
that his arrival in Ifeloju would not be preceded by a full moon.
Aside from a GSM tower planted on a
distant hilltop, the village had nothing to show that the outside
world was interested in its affairs. Spared electricity, tarred
roads and modern amenities, the children walked four miles to and
from the nearest school. Some of the adults – when they were
not dyeing fabrics - walked even farther to their farms.
Ifeloju, a modest community of adire
artists, once sustained itself solely by wooing city merchants to
its dye-spattered monthly market. But the village had fallen on
hard times and many of the indigo wells had dried up. Demand had
waned for their tie-and-dye fabrics and most of the bulk buyers
from the city had switched to more affordable, higher quality alternatives.
Some young men and women followed the money to the city. Those who
remained rediscovered the supplemental attributes of hunting and
farming; and the drum of life continued to throb.
As the Storyteller approached, Foyeke
bathed in the mild rain of light from the sky. So did Tamilore and
Ifariike. The children played outdoors, holding hands, singing,
chanting, stomping their feet in eager circles, occasionally hiding
the light of youth in the soft shadows of the huts. Night games
were a ritual in Ifeloju, and even a struggling crescent moon could
not dampen their enthusiasm.
Suddenly, a voice rang out like the
clap of the town crier’s gongs in the endless cavern beneath
the Ifeloju rocks. 'The Storyteller! I see the Storyteller!'
The night held its breath, gripped
by the promise of surprise. Heads with black hair, graying hair,
tied hair, flying hair, no hair popped out of curious doorways like
little nocturnal creatures cautiously sniffing the wind before chasing
the night.
The Storyteller?
As if on cue, all the heads turned
to question the night sky. It wasn’t a storyteller’s
moon. Everyone knew Itanpadeola rode only on the back of a full
moon to Ifeloju. The moon was his guide to the village, the wine
in his gourd, his promise of seasoned songs! The shriller must have
been a child. Children were susceptible to wild imaginings in the
dark. Someone ought to send her to bed. Or was it a different storyteller?
'I see him too! I see him!'
It was a different voice now. A pair
of eyes could be fooled by the night, but two pairs of eyes? The
situation certainly called for further investigation.
The night quickly regained its voice…All
of its happy voices! The children screamed and swarmed as one in
the general direction of welcome - toward the main road that fed
the village!
The adults reacted differently. Clusters
of excitement formed as they recalled the last time the Storyteller
visited. Was it not just three markets ago? Others scampered indoors
to hastily conclude chores in progress, rouse early sleepers, grab
aso ibora in readiness for the chill that accompanies
late nights outdoors. In Ifeloju, the grownups loved tales as much
as the children and none told a tale better than the storied Itanpadeola!
His name became a chant.
Itanpadeola!
Itanpadeola!
His name became a melody that hugged
the cool night wind, slipping wirily around the contours of stained
shelters like blood through arterial routes, under the waist high
fences that confined goats and fowls, over the rusty corrugated
roof of the village Chief’s bungalow, through the wet-season-fattened
branches of trees towering above the village… onward…
Itanpadeola!
Itanpadeola!
Itanpadeola!
It was a ceaseless call emphasized
by the thump of every footfall. The whole of Ifeloju was soon possessed
by the spirit of expectation. Itanpadeola walked into their warm
reception, smiling familiarly, head and shoulders above the clamour,
a tall weary wanderer mildly bent by uncertain years. He seemed
hauntingly discernible in the weak moonlight, the dust of unimaginable
distance hiding in the folds of his skin and faded white agbada.
He walked fluidly, seeming to float above the whirlpool of children
and adults around him, stepping carefully here, touching a known
smile there, a head, a shoulder, caught in the vortex, one with
the vortex, carrying the vortex along with him as he headed for
the center of the village…
'Where is Ayandele? Someone fetch the
drum maker. Tell him Itanpadeola is here and his drums must speak
until they grow hoarse tonight.'
A bare-chested boy grabbed the message
and ran off to deliver it to Ayandele who lived on the other end
of the village where he could practice new rhythms and school apprentices
without driving the village to distraction with too much drumming.
'Itanpadeola,' hailed a man of seemingly
equally mysterious years from his perch outside a doorway, 'my brother,
you walk well.'
Caught in the vortex.
'Ogunbodede,' Itan answered, his voice
a well-oiled chunk of roasted plantain sliding down the throat,
carrying even above the wave, seeking the gaps, riding the wind.
'I see the hunter has kept well.'
One with the vortex.
'We thank the gods for their mercies.
How is the world? Is it well with world?'
Carrying the vortex along with
him…He was the vortex, whirling and twirling to their welcome
song, all bones and jutting elbows, but right where he belonged,
one with their song…One with the sing-song…
'The world grows weary like me, my
brother. Her eyes water now and her lips smart from fanning too
long the kindling of a reluctant flame. I am weary as the world.'
'But there’s always the story,
old friend… And there’s always Itanpadeola.'
'I thank you, my brother. So long
as what pleases teaches, Itanpadeola will tell the tale. I hope
the animals are still enraptured by the whiff of your gunpowder.'
'They haven’t complained to my
hearing yet.'
Both men laughed out loud at the familiar
joke. A hand tugged impatiently at Itan’s sleeve.
'Will you join us at the village square?'
'I shall be there if you promise to
pass the night under my roof.'
'Who can refuse a gift so kindly wrapped?
As always, the path from your doorstep shall lead me on at dawn.'
'You walk well, my brother.'
Itan allowed the growing crowd to suck
him in. Each crease on his forehead, each dust-layered pore, each
gray follicle of hair stored a memory of things seen that cannot
be un-seen, lives lived that cannot be un-lived…He was a vast
depository of memory, like the sea-held fish that eyes would never
see; like the shore-harbored sand that could not be numbered…He
was the rain touching leaves and skin in the most secret of places…
He was the transporter, the physical wheels of intangible culture,
the custodian of stories that transcended generations…His
father’s stories, his father’s father’s stories,
his father’s father’s father…
Unlike the typical storyteller who
lived in one community, freezing their moments and conquests in
stories and songs, Itanpadeola towered above locality. His was the
extended limb of recall transferring whole traditions between communities,
the itinerant spirit chronicling cultures and mores, the arable
imagination inventing allegories when memory stumbled.
Itan was the Storyteller of storytellers!
The vortex grew a tail, a
stream of adults who would form the protective outermost layer of
the attentive circle that would soon enclose the Storyteller near
the Odan tree in the village square. The sonorous rhythms
of Ayan’s drum had joined the singing at some point, driving
the dancing to new heights of elation. They passed the Baale’s
house. A plump woman with a child strapped to her bare back stepped
out of its doorway to join the procession, carrying a large gourd
of palm wine that foamed sprightly in the burn of the many lamps
in many hands. The Chief would be joining the storytelling soon.
The animated march stopped just short
of the Odan tree. As the crowd gathered, the tree swayed in the wind, whispering,
seemingly eager to eavesdrop on yet another tale. In the daytime,
through the seasons, the Odan was the durable host of countless meetings; tall enough to shelter many,
but not enough to call down lightning from water-logged clouds.
With the moon above struggling to light the night, it would be darker
directly under the tree, even with all the lanterns on the ground,
hooked to tree branches, held up by hands…
Only three moons had passed since the
Storyteller last stood in this same spot. He could see the questions
struggling to displace the anticipation in their eyes…Why
had he come back so soon? What changed so radically his normal cycle
of one visitation per year? What drove him to traverse the distance
tonight without his bride, the full moon?
The big smile on Itan’s face
concealed the turmoil that raged within him. He couldn’t reveal
to them how in the last few years, increasingly, the big city had
eroded his audience. The young men and women were leaving, attracted
like moths to the bright lights. Many of the villages and small
towns he performed in were now inhabited by shadows and memories.
No one wanted to farm the land anymore. They all nurtured dreams
that were too big to realise outside the city, dreams of driving
'motor car' and working in towering edifices and conducting a symphony
of mobile phones. For years on his travels, Itanpadeola had heard
stories of how cities beyond the stretch of his sandals charmed
young men and women and devoured them where no parents could salvage
their bones. They were all like streams and rivers frothing blindly
to be swallowed by the faraway sea. It was said once you answered
that call, you could never retrace your steps home.
He still remembered his foray into
the city after a lifetime of living on its periphery. Idera, his
wife – several months heavy with their only child - had finally
succumbed to the invitations from the karakata women to
investigate the wonder of city trading. Her first time in the city
had been her last. A hit-and-run, surreal like a scene from a phantasmagoric
story, her travel companions had reportedly rushed her to a clinic
near the market. It was there she breathed her last, still waiting
to be attended to by a doctor. She had pushed Itangbemi, their son,
into the world before death’s eager hands could seize him
too, giving the Storyteller two reasons to go to the big city for
the last time: a baby and a body. A wailing Iya Ibeji, one of the
women she had journeyed with, returned to tell him what had transpired.
It was she who took him to the city to fetch his living and his
dead.
Iya Ibeji, probably feeling partially
responsible for his mother’s demise, gladly raised their son
Itangbemi with her own twins and ensured he attended the public
schools with the other children. As soon as he was old enough, Itanpadeola
took him on the trail like every storyteller’s father had
before him. The experience was short-lived. He was a sickly, sensitive
child forced too soon into a harsh world and the travels were hard
on him. Itanpadeola persevered, hoping age would make him stronger.
Itangbemi, conscious of his father’s disappointment, withdrew
into a world of his own creation and began scribbling his thoughts
on little bits of paper.
In due course, Iya Ibeji informed him
that his son was unusually smart and the school was paying special
attention to his education. His son had gone away on several occasions,
to university in Ibadan on scholarship. He had even gone to Kano
for his service.
The boy remained frail into his adult
years, by which time they both came to the painful conclusion that
the itinerant lifestyle was not for him. Even if his modern education
wasn’t a deterrent, his health was. In various conversations,
Itangbemi tried to show his father the stories he was writing
in thick folders. He vowed that words on paper, once published,
would last continually and go places a traveling Storyteller’s
feet could not. Even after the source of all stories expired, a
book would thrive, he said. The Storyteller could live forever in
pages of words, like history recorded in artworks outlived the creator
and generations unborn…Forever.
Itanpadeola thought the boy had lost
his mind. It showed the jarring distance — physical and emotional
— between father and son. The Storyteller, devastated that
he was surely the last of an extended line, strayed longer on the
road, while his son warmed to the city’s call, eventually
moving away to make a home in what he knew had been his father’s
anathema since his mother’s passage. The Storyteller sought
solace in what he knew best… spreading a little joy in vanishing
villages, even if he could find none for himself…
Storytime. The people of Ifeloju parted
like thick grass beneath constant footfalls. The Baale and his counselors
had arrived. Ogunbodede was with the small entourage.
The Storyteller looked at the staff
in his hand. Old age hurt the hands now. Old age hurt everywhere,
body and mind... He couldn’t play the drum or dance like ikoto
anymore. He couldn’t grip the staff tightly either. His father
had carried one. As did his grandfather. It was a storyteller thing.
Maybe it steadied a shaky hand contemplating strangers, or readied
a trembling voice about to soften a new gathering… In the
years since his son departed for the city, the grasshoppers and
ants of eternity had descended on his mind, nibbling resolutely
away at whatever spark they could find, slowly snuffing out the
lamps and turning his mind into a long dark night. Archiving some
of his stories the same way he stored those handed down to him by
his forebears became an urgent necessity. His performances still
arrested the imagination of the crowd wherever the long limbs and
booming voice took him, but old age and the corrupting call of the
city compelled him to shrink his itinerary in response to his shrinking
audience. He liked Ifeloju.
He raised the staff and the merry-making
ceased instantly. The villagers looked at him with expectant eyes.
This was how he remembered it… How it was, how it ought to
always be; a story on a pedestal, bordered by a living audience
waiting to unravel it, longing to cradle it… His son had no
idea what he was talking about. He was already forever out here! Eternal! There could be
no better way to tell the story. What could best this repartee,
the flexibility to embellish the tale or alter it altogether in
response to spontaneous feedback, shoring the performance with music
and dance and pantomime and every creative distraction! Even if
he died, he lived on in these eyes! These lives! Didn’t he?
Ah! He still had children after all! Itanpadeola smiled bitterly, cleared his
throat and projected his voice so that it reached easily the farthest
ears.
'Gather around me like a fine garment,
children. Powder your faces with the husks of the no-sleep tree.
Fill your bellies with food enough for the long night, for we have
a ways to go. Old Itanpadeola is here to stir your mind. I am in
the mood for a tale and what a tale it is! A tale of power, greed,
adventure, triumph! Children, gather around Itanpadeola and come
hear my story. Clear your throat in readiness for song! Stretch
your limbs for the eloquence of dance! Tell me are you all here?'
The crowd responded in one voice, 'We
are!'
He placed his staff on the little stool
they had positioned for him to sit on and put his bag beside it.
'Story, oh story! My story hails from the West, the East, the South
and North. My story hails from afar where mysteries never end, and
it hails from nearby where the spirit never bends. Listen my children
and let Itanpadeola tell you of the little tree that wanted to be
a lofty forest -'
His audience burst into laughter. 'Baba,
you told us that story the last time you were here.' The villagers
thought it was a game.
'Ah, forgive me. Age has been unkind.
The mind, my friends…It plays tricks...' While his voice and
body occupied their attention, he was stumbling about in his mind,
reproaching himself for forgetting such a thing. 'Let me see, hmmm…I
don’t recall telling you about Adewuwon and the feather of
fire...'
'You did.'
'How about the python that became so
hungry-'
'-It swallowed its own tail little
by little until it disappeared.'
'Or the cloud that wanted- '
'-to steal a piece of the earth.'
'Ah, you listen well. That is one of
the reasons Ifeloju is my favorite place of all. You welcome my
stories like you welcome a steaming plate of pounded yam and egusi
soup.' The gathering laughed as Itan comically mimed eating with
his bare hands, licking the imaginary soup that dribbled down his
arm, all the way to the elbow. 'Let me see now…'
He reeled out a list of stories. They
had heard them all.
'Have I been here too many times or
have you been peeking into an old man’s mind?'
They laughed again.
'I must try harder.' He turned to
speak under his breath to the drummer who waited beside him, 'Ayan,
help an old man, will you, performer to performer? Keep them occupied
please.'
The drummer got the message and began
to rap madly on the tight leather skin of the drum around his neck,
playing to attract, playing to distract.
Itanpadeola sat down and took a long
cooling drag from the cup of palm wine someone had placed beside
him. His mind rapidly rifled through what was left of his mental
filing system for a story he could be sure had never been told at
Ifeloju. None was immediately forthcoming. It was as if he was groping
in darkness. It was time to look in the bag again…
He pulled it nearer. A dark brown
affair patched in multiple places, it was mileage frayed. He had
had it a very long time. It was his bag of no-forgetting. Every
storyteller had something similar, a way to 'store' stories outside
the mind, a mobile archive of sorts. Itanpadeola kept the most valuable
of his stories in the bag. More importantly, the bag held stories
he’d inherited from his progenitors, each carefully wrapped
in leaves like crucial pieces of a personal puzzle. While the drummer
tapped and talked the crowd into renewed frenzy, Itan’s right
hand disappeared into the bag, all the way to the elbow.
Something was wrong.
His left foot began to twitch imperceptibly
on the village square ground where the grass had been permanently
worn away by the feet of many meetings. His other arm quickly joined
the first in the bag, digging deeper, scrabbling about, fingers
feeling their way around even as the smile on his public face never
wavered. Four fingers poked out of an unexpected hole in the bottom
of the bag. A ball of sweat tracked wetly behind Itan’s right
ear.
Ogunbodede seized the moment to inch
up close to him.
'I see all is not well, my brother.'
Itan grabbed him by the shoulder and
whispered in his ear. 'My stories are gone…My father’s
stories…His father’s…They’re gone!'
His left foot was shaking visibly now and his friend placed what
seemed to be a tempering hand on it.
'May I?' Ogunbodede leaned forward
to look in the bag his friend held open for him. He reached into
the bag. He frowned. 'Is this a book?'
Itan nodded, putting the book aside.
'You have leaves in here…'
'They’re asowoje leaves.'
'Ah, the evergreen…There are
objects in some of these leaves…'
'Yes, but there should be more.' The
storyteller replied.
'You will have to tell this story
on some other night,' Ogunbodede remarked. He stood up and crossed
over to whisper in the Baale’s ear. The Chief nodded, rose
and departed with his aides. Next, Ogunbodede silenced the drums
and made an announcement, informing the villagers that Itan had
come down with the sudden fever. The performance would have to be
postponed. The villagers were disappointed, but Itanpadeola had
never failed them once in decades of hawking his tales in Ifeloju.
They accepted the explanation and dispersed, their blackened lamps
floating and vanishing in the night, fireflies blinking off to sleep.
Itan mumbled under his breath like
a doddering old man as Ogunbodede helped him to his feet. His eyes
desperately swept the ground in the dim light as he allowed himself
to be guided away. Nothing. He had no idea when the hole in the
bag let out his precious repository. He probably lost the items
on the road between Ipara and Ifeloju…or was it between Idimu
and Inumidun? Retracing his steps made no sense. He had no idea
where to begin.
He ducked his head to follow Ogunbodede
into his yard where he was led to a seat under the open skies. His
friend barked orders like the warrior descendant he was and in no
time at all, water to wash up appeared. A bowl of eba, goat
meat tumbling in ewedu soup and a palm wine gourd completed
the picture. Itan could not eat. He had much on his mind. Besides,
there was still Idera…
Ogunbodede shushed him gently. 'She
will understand, my brother. She’s not going anywhere. Eat
something first. Retrieve your strength.'
The storyteller reluctantly sipped
a little palm wine. He emptied the bag on the ground beside him
and inspected the contents. His abetiaja cap, a small cup,
the book, a knife, his orogbo chewing stick and less than half of the precious wraps… Several
of the leaves were unraveled and empty. They trembled as the night
wind teased them. The crocodile’s tooth was still in there
though. So was the kola nut fired dry in Ogun’s kiln. The
small piece of the skin of all snakes was gone. He couldn’t
see Oodua’s coronation story either. The glassy pebble from
a moss green wall at the lost lake of Apangbejo, a catfish’s
left eye, the eba odan kingmaker’s toenail, other treasures…Each piece
specially preserved to trigger the precise recall of an event or
story in its totality whenever memory stuttered…Stories ancient,
some frozen slices of immortality passed from mouth to ears to mouth
to ears by his forebears long before he was born… Gone.
Ogunbodede stopped eating in sympathy
with his friend. 'So it was the hole?'
A hole in the bag!
'When a Storyteller’s tales
begin to vacate his memory, he traps them in asowoje leaves
to preserve in a bag. While plugging holes in the mind, who knew
to anticipate holes in bags? How can such a tiny thing lose so much?'
A hole in his bag!
He sighed heavily. 'I suppose we all
must run out of time eventually...'
Ogunbodede spoke sharply, yet protectively.
'The wings of a bird never grow weary, Itanpadeola. We do not know
what evil roams the night. Take that back'
'You wish me well, my brother, but
the times are bad. If you have never traveled far enough to where
land ends and the waters begin, imagine waters swelling and falling,
rushing up to the shore like a little child to wash the memory of
footsteps off the sand…That is exactly how the last few moons
have trifled with my remembrance. My stories, my own stories
- not just the ones I inherited from my father and the ones he inherited
from his father - mine…they have been coming undone
like a raffia mat that has seen better days. I am forgetting, old
friend. Like Ifeloju’s dye pits and several of the villages
in the path of my wandering feet, my well of stories grow dry…
What you witnessed tonight has happened twice in the last one year,
with me under the glare of waiting eyes, temporarily lost for a
tale to tell. On both occasions, this bag rescued me. Once familiar
names now seem not so familiar. Yesterday, at the Bamigbopa crossroads
I have passed uncountable times, I stood there like a fool, unsure
which direction to walk. My feet and staff seized control and led
me here… I say it is old age, but old age never crippled my
father’s memory… He told his stories until the day he
died. I forget, my brother, and I am thinking time has moved on,
leaving me talking into the deaf left ear of the village idiot…I
think my story may be told. The times are bad, my brother…'
The night had grown completely silent
now. The people of Ifeloju had retired for the night. Ogunbodede
sighed like one surrendering to the crush of a mighty weight. 'Heavy
words' he said finally, 'Heavy words.'
Silence returned, quickly shattered
by a solo cricket somewhere in the compound stridently seeking to
become less forlorn.
'You know now why I’m back here
so soon…' Itanpadeola carefully returned the items on the
ground to the bag.
The two men remained quiet for a while,
listening to the night.
'Why did you never relocate to the
city?' Itan asked, a polite guest shifting the conversation to the
affairs of his host.
Ogunbodede coughed lightly, masterfully
delaying to gain time to swallow wine. 'To do what? Hunt cats and
dogs? Am I not too old for that kind of severe change?'
'It’s the noise, isn’t
it? Even from so far away, I can hear it in my head…the noise
and confusion and the crush of people…'
'The idea just never appealed to me.
I’m a bush man.'
'The world does not want to hear stories
anymore, Ogunbodede. They’re possessed by strange spirits
now…spirits I can not even begin to name. Like you, I remain
a bush man and the world has no time for people like us anymore.
Think on it…How can one out-talk their radio, out-dance their
television, out-run their motor car and in the same breath out-electrify
electricity? How?'
'The new always replaces the old,
my brother. The ears must decide of its own what to take away from
the tale. The mouth has the liberty of speech, but the luxury of
listening and understanding belong to the ears.'
Silence. The cricket served a brief
interlude, truncated by Ogunbodede. 'These ruminations you give
voice now, they have been on your mind for some time, have they
not?'
The Storyteller nodded. He stared
dully at an unlit corner of the compound. Even after all these years,
he still remembered her like the many incisions on his arms, each
tiny cut signifying a story completely told in the presence of an
audience, notes to compare with his fathers in the afterlife. She
was carved indelibly on his very being. 'I miss her, you know…
Every day.'
'I know, husband of my sister. I know.'
'She would have done a better job
of raising him.'
'She did a better job of everything
she touched.'
'Her son is somewhere in that city,
Ogunbodede. Our son.'
'Ah, that explains this conversation.
Blood will call.'
Itan contemplated the darkness a little
more. The cricket shrilled anew. He had met Iya Ibeji last week.
She had offered him a gift from the city. At first, he’d
rejected it, saying 'I doubt the city has anything of value for
people like me. Or you want to tell me my son has changed his mind
and will now walk the way of his fathers?'
It was familiar ground to either of
them. She had tried several times in the past to resolve their differences,
father and son, but the bridge strong enough to connect their two
riverbanks had long ago been washed away by swift currents. In the
end, they had simply avoided the subject of his son in their occasional
encounters.
'Our father, forgive me if I overstep
my bounds,' Iya Ibeji had responded. 'I know this matter weighs
heavy upon your heart. But what would you tell your father of blessed
memory if he asked you how many of those marks on your arms accounted
for stories you told your own son? Isn’t continuity all that
we owe our ancestry? Is no more sharing with Itangbemi a progression
of your long heritage? Is it not wiser to properly entrust the tradition
to him like it was to you, and let him worry what he does with it,
since he will be the one to answer for it?'
It was probably the most cohesively
presented statement the woman had ever made to him. He accepted
the gift without another word. It was a book of stories, his son’s
stories. Tales My Father Gave Wings, he called it. According
to one of the twins who’d read it, it was so good, the Government
had made it compulsory reading in schools all over the country.
That was supposed to be a big thing because it meant more people
may be reading it and hearing his son’s words than he had
performed to his entire lifetime on the road. Itangbemi had sent
him the book through Iya Ibeji with a message. One word really:
Forever. On her own, she added the news that his son was
a husband now. And his wife just delivered their son. Itanforijimi.
Iya Ibeji’s words dug furrows
in Itan’s already unsettled mind. The thought of seeing his
son and grandson had possessed him ever since, contributing to the
derailing of his usual plod between communities, upsetting even
further his rattled calendar. It was like he should be doing something
else now…Age was no more on his side. Time was becoming a
stranger. Maybe the ancestors were telling him to go rebuild his
fallen house. He had been looking in all the wrong places for a
way to still his troubled spirit. The answer wasn’t in familiar
places, skulking amongst familiar faces, re-enacting familiar graces…He
had done that for far too long. No one could continue his work.
Not the way he and his fathers had done it. He was out of date,
a living relic. Living the storyteller’s life was not enough
for the times anymore…Not when a tale just as compelling could
be fired to the entire world in the passage of a text-messaged second.
The unfurling of his memory and the hole in his bag was final proof
of that. He was a dying breed seeking unsuccessfully to remain relevant.
The times were changing and it was his turn to leave whatever could
not readjust behind. Maybe there was no harm in exploring his son’s
better way to record and transmit the moments and challenges
that enveloped them all.
That was the real reason for his out-of-season
presence in Ifeloju.
Itanpadeola rose to his full height,
took one of the lanterns and walked slowly to the dark far end of
the yard where a simple concrete headstone waited over a grave.
He had brought her home to Ogunbodede, her elder brother who’d
deputised as her father on the day he asked her in this same courtyard
to marry into an itinerant lifestyle shorn of even the most mundane
of human trappings. He married her and became more than a narrator
of stories to the villagers… He became family. He had brought
her body home to be buried among them. Every subsequent trip to
Ifeloju was not just to tell a story. It was an annual pilgrimage
to commune with his dead.
'Idera…Are you awake? It has
been three years since I saw our son… Iya Ibeji tells me he
has a wife and son of his own now. I thought I should come and tell
you. That is why the road steered my feet to this familiar place.
I know you are happy. This is Itangbemi’s book. See?' He placed
the paperback on the grave where the wind riffled the pages like
a brisk hand. 'He even put my likeness on the cover… I think
it is time to revisit the city, Idera… I’ve been a fool
for too long. Before I become a fool stuck with a bag full of empty
leaves, let me find out from him how he tells his stories in…books.
Maybe during the conversation, we will uncover how to trap the rest
of our patrimony before they become wind too.'
Itan did not wait for dawn to set
off on his journey to the city. There was a disconnected generation
out there. They grew up conversing with concrete, listening to bedlam
and inhaling exhaust fumes. He walked erect, his shoulders straight,
blazing moonlamps where his eyes used to burn. He walked, a weary
old man given wings by new promises lurking in shadows. He was going
to see what waited in those shadows… He might even encounter
the city’s stories along the way, obscured by the chaos. Itanpadeola
had no idea how they would be told, but he would ask his son…
Itangbemi would know. His son would know, after all, he had found
his own voice amidst the turmoil. He was a writer. In the end, his
son was just another Storyteller… . |